The curator Daniela Name conceived the group exhibition "Invisible Maps" for Caixa Cultural and invited artists to work in specific areas of Rio de Janeiro and São Paulo. Daniela got to know my work in Pedregulho and proposed São Cristóvão as an area to work in. In response, I proposed Barra da Tijuca, the western zone of the city of Rio de Janeiro. With the XI Marc Ferrez Photography Award from Funarte and the reception of the Carvalho Hosken construction company, I invented my first artistic residence in the "eco-neighborhood" called Península, a conglomerate of luxury condominiums completed in the early 2000s in a controversial area of restinga and mangroves. During one month, three series of photographs, videos, and texts were made, both indoors and outdoors, in buildings still under construction, in the canals and lakes that border the neighborhood, and on an islet near Barra Shopping where a fisherman lived before Península was completed. The island is the only part of the neighborhood that is still uninhabited, but there is a prospect of a restaurant. A great part of my residence project took place on the island and in the course of the bordering waters. For the group show at Caixa Cultural I presented the video installation "De murunduns e fronteiras" (Of murunduns and borders), the fruit of the boat rides and immersions on the islet. Photographs and texts were shown in the individual exhibitions "Insulares e Marginais" (Mercedes Viegas Gallery, Rio) and "São Casas" (Studio-X Rio), in the group show "Lugar Nenhum" (Moreira Salles Institute, Rio) and are published.