Como olhar junto, 2023-
How to look together

Como olhar junto, 2023-
How to look together

projeto em andamento
ongoing project | Trafaria/Cova do Vapor (PT)

pesquisa em andamento com
participação aberta ao público

ongoing research with public
participation

Trafaria/Cova do Vapor (PT)

pesquisa em andamento com participação aberta ao público
ongoing research with public participation
Trafaria/Cova do Vapor (PT)

Projeto

Projeto

Projeto

"A aldeia (da Cova do Vapor) estava a ser empurrada pela água em direção à Mata de São João, forçando os seus habitantes a recuar, 'caminhando com as suas casas às costas' em carroças de bois". 


Esta imagem é determinante para iniciar a investigação sobre a comunidade, os seus agentes, bem como os movimentos de permanência e deslocamento no local, em parte impulsionados pela própria natureza e pelos fenômenos de erosão, em parte resultantes da ocupação sazonal e desordenada do território. É na combinação de pontos de vista, afetivos e críticos, locais e estrangeiros, de crianças a idosos, que o trabalho se desenvolve. 


Em julho de 2023 deu-se início à primeira etapa da minha residência na região, em uma das cabanas de madeira que foi transferida da Cova do Vapor para a Trafaria na década de 1950 por conta do avanço do mar.


É da praia da Cova do Vapor que se tem a melhor vista de Lisboa e também do Bugio, o farol que delimita o encontro entre o Atlântico e o Tejo. Entretanto muito da história significativa do povoado não está à vista.


São muitos os relatos e fotografias antigas que guarda Eduardo Gomes, o diretor da Biblioteca do Vapor, situada à beira mar em um pequeno imóvel doado à associação de moradores, local que um dia foi o Bar da Mimi, e que desde julho é onde realizo o projeto “Como olhar junto”, um trabalho de escuta e pesquisa colaborativa na comunidade da Cova do Vapor, em especial com um grupo de habitantes idosos que é estimulado a identificar casas, memórias, sonhos, alegrias, desejos e conflitos, em encontros semanais que se transformaram em um espaço seguro e transversal de partilha. Os participantes, frequentadores da praia como veraneantes ainda na década de 1940, hoje são residentes que vivenciaram o início da tímida urbanização e também o significativo avanço do mar a partir da década de 1950 que submergiu quase 2km de praia conhecida então como o Bico de Areia, que na maré baixa podia-se caminhar até o Farol do Bugio. São essas pessoas, a maioria matriarcas que, por possuírem laços extremamente sólidos com o lugar e a comunidade, reavivam personagens e paisagens, ajudando a fortalecer os vínculos para as gerações atuais e futuras. E são essas pessoas e suas histórias orais que se misturam à história de constituição da Cova do Vapor e que dão vida a este projeto.

Project

Project

Project

"The village (of Cova do Vapor) was being pushed by the water towards Mata de São João, forcing its inhabitants to retreat, 'walking with their houses on their backs' in ox carts."


This image is decisive in starting the investigation into the community, its agents, as well as the movements of permanence and displacement in the place, partly driven by nature itself and the phenomena of erosion, partly resulting from the seasonal and disorderly occupation of the territory. It is in the combination of affective and critical points of view, local and foreign, from children to the elderly, that the work develops.


July 2023 saw the start of the first stage of my residency in the region, in one of the wooden huts that was moved from Cova do Vapor to Trafaria in the 1950s due to the advance of the sea.


It is from Cova do Vapor beach that you have the best view of Lisbon and also of Bugio, the lighthouse that marks the meeting of the Atlantic and the Tagus. However, much of the town's significant history is hidden from view.


There are many stories and old photographs kept by Eduardo Gomes, the director of the Vapor Library, located by the sea in a small building donated to the residents' association, a place that was once Mimi's Bar, and which since July has been where I have been carrying out the "How to look together" project, a collaborative listening and research project in the Cova do Vapor community, especially with a group of elderly inhabitants who are encouraged to identify homes, memories, dreams, joys, desires, and conflicts, in weekly meetings that have become a safe and transversal space for sharing. The participants, who frequented the beach as holidaymakers back in the 1940s, are now residents who experienced the beginning of timid urbanization and also the significant advance of the sea from the 1950s onwards, which submerged almost 2km of beach known at the time as Bico de Areia, where at low tide you could walk to the Bugio Lighthouse. It is these people, most of them matriarchs, who, because they have extremely strong ties to the place and the community, revive characters and landscapes, helping to strengthen the bonds for current and future generations. These people and their oral histories blend into the history of the constitution of Cova do Vapor and give life to this project.

"The village (of Cova do Vapor) was being pushed by the water towards Mata de São João, forcing its inhabitants to retreat, 'walking with their houses on their backs' in ox carts."


This image is decisive in starting the investigation into the community, its agents, as well as the movements of permanence and displacement in the place, partly driven by nature itself and the phenomena of erosion, partly resulting from the seasonal and disorderly occupation of the territory. It is in the combination of affective and critical points of view, local and foreign, from children to the elderly, that the work develops.


July 2023 saw the start of the first stage of my residency in the region, in one of the wooden huts that was moved from Cova do Vapor to Trafaria in the 1950s due to the advance of the sea.


Over the months, the project has been developed in periodic meetings at the Vapor Library with the participation of members of the community, mostly elderly people, the living memory of Cova do Vapor. They are the ones who, so far, have been conducting my observation and welcoming me, opening their homes, offering shelter, and sharing their stories, both individual and collective. They and many of the inhabitants and frequent visitors, especially during the summer season, have chosen places of their own relevance to be portrayed, helping us to collectively build a plural and affective narrative about the place and its main character.

"The village (of Cova do Vapor) was being pushed by the water towards Mata de São João, forcing its inhabitants to retreat, 'walking with their houses on their backs' in ox carts."


This image is decisive in starting the investigation into the community, its agents, as well as the movements of permanence and displacement in the place, partly driven by nature itself and the phenomena of erosion, partly resulting from the seasonal and disorderly occupation of the territory. It is in the combination of affective and critical points of view, local and foreign, from children to the elderly, that the work develops.


July 2023 saw the start of the first stage of my residency in the region, in one of the wooden huts that was moved from Cova do Vapor to Trafaria in the 1950s due to the advance of the sea.


Over the months, the project has been developed in periodic meetings at the Vapor Library with the participation of members of the community, mostly elderly people, the living memory of Cova do Vapor. They are the ones who, so far, have been conducting my observation and welcoming me, opening their homes, offering shelter, and sharing their stories, both individual and collective. They and many of the inhabitants and frequent visitors, especially during the summer season, have chosen places of their own relevance to be portrayed, helping us to collectively build a plural and affective narrative about the place and its main character.

Maria Manuela Pinto Fidalgo

Maria do Socorro Milho Leon Duarte

Sandra Marina e Maria Costeira Valente

Eduardo Francisco Henriques Gomes

Lucia Maria de Jesus Garcia Pinto de Oliveira e José Pinto de Oliveira

Ana Filipa Faria Brás

"É bonita a festa, pá!", Bienal de Cerveira, 2024
audio @ soundcloud
[(4) audio digital stereo loop / design Nico Espinoza]